This watercolor painting is of the clouds and light I saw during a walk. The sky offers endless inspiration. I did this back in Febuary of 2016.
Here is another version of the Vintage Modern Quilted Pillow from my last post. Again I chose a very simple palette for the fabric colors. I feel like this blue is practically a neutral. When I picture where it would live in my own home, it really would work in any room.
I hand quilted it all in a blue as well. That is always my favorite step.
The pillow back has simple painted stripes across the back and is finished with an invisible zipper. This pillow is now available in my etsy shop!
This is the second quilt//pattern design I have made. The quilt design is a traditional beautiful “vintage star” block pattern in gray and cream fabric. I then hand painted a simple yet modern design with with a gold fabric paint over that. In this pillow I also wanted to juxtapose the technicality of the sewn pattern with the painterly and impressionistic painted lines. I hand quilted a simple pattern in cream thread that echoes the painted design. The back is gray and cream with two gold painterly stripes.
This is available in my shop and I am working on a downloadable pattern as well.
This is a watercolor still life and study of a beautiful cow skull I have. I love lines, form and structure of cow skulls. Macabre? Maybe. After reapplying myself to learning watercolor for a year or so this is the most happy I have been with a painting. It’s hard to see in this picture but I was really pleased with the fall out light in the background. I did that first and then next eighty percent of the process was frustrating but I came back around to enjoying the process and the outcome towards the end. This painting gives me hope for my potential.
In other news I have opened an etsy shop! Right now I have fabric and textile products up. Once I am finished with fine tuning details with the printer I am working with I will also list prints of my art, including this one. I am excited to see products that I have labored over and love all cozy and hanging out together.
I have wanted to design quilt patterns for so long and I decided pillows are the most efficient and fastest way to try as many as possible. This black and gold triangle pillow was inspired by the traditional Irish chain block. I love that pattern so much. This is different for sure, but I love where I ended up with it.
I have been wanting to paint on fabric for a long time. There are so many different directions to take with it. For this first time I decided to actually piece the black and white fabric and then paint the triangles directly on the quilt top, as if they are part of the pattern. I then hand quilted the top. I intentionally chose to paint the triangles rough and “perfectly imperfect” so it is obvious they are hand painted. I wanted the paint to look as textural as possible. I love combing the technicality and preciseness of the quilting with the artistic painterly expression with the brush.
It was such a thrill to see a design through to the finished product! I’m so hooked.
I did this watercolor landscape of Glencoe from a photograph of a recent trip to Scotland. The Highlands of Scotland are so inspiring and beautiful. I would love to go back some day just to paint. This painting was also part of an exercise in the book I am working through called Watercolor Class by Michael Crespo. The excersice is called the “The Three Zones of Landscape.”
Having read the War of Art, I know that feeling like giving up is normal. I know to push through it now. When I was working on this watercolor the question I asked myself was “How much and how strong of that feeling is normal?” Because I didn’t feel it like a whisper, but deafening trumpet while I was painting this. A “Why do I even bother, what am I thinking, I should just give this up” constant feeling. So far I have felt that way each time I tackle a painting. Sometimes it is not as strong and I can get past it sooner, say fifty percent of the time. I swear I felt that way during this piece about nintey two percent of the time. Painting it felt more like a struggle than relaxing and enjoyable. I am hoping that comes from being so new and not really knowing what I am doing. Somehow at the end I felt, “Okay. That isn’t horrible. That’s decent.” And then when it was done I immediately got out a new piece of fresh paper to tackle another painting, the next “puzzle”. I really want to keep a documentation of the process of learning to paint, and how this inner dialogue plays out. I read one artist say recently “Finally after fourteen years I am painting the way I always dreamed.” That was both frightening and encouraging at the same moment. Frightening because I am not far in and I have a long way to go; encouraging because it’s helpful to know how long others have had to keep at it. Sitting in front of the paper with brushes in my hands is some of the happiest moments I have. With each new painting, the more I push through and “fight the resistance,” the harder it is to imagine my future without doing it. So I’ll cling to that!